“He was apologetic and like, ‘The song wasn’t really about you, it was more like, it’s about a type of person on the internet,” Noname recalled Cole telling her.Ĭole did not respond to a request to comment for the Rolling Stone piece. And as Conteh wrote for RS, “the call ended tensely.” Noname has now shared that the two caught up once more last year, after Cole dropped. Two days later, she released the scathing, 70-second “Song 33,” featuring ripped-from-the-headlines bars like “little did I know all my readin’ would be a bother/It’s trans women bein’ murdered and this is all he can offer” and “he really ’bout to write about me when the world is in smokes.” (You must log in or sign up to reply here. The director, Damon Russell, initially coy about what was real and what was scripted, now emphasizes that “Snow on the Bluff” isn’t a record of actual events, that it’s just another lo-fi indie film, like “The Blair Witch Project.” Nothing to see here, officer.Noname tweeted “QUEEN TONE!!!!!!” in response to a line on the song. Whats his story outside of the movie, which I considered a comedy, especially when his baby mama got shot and killed lol that baby crying felt so real best actor in the film. He robs dope boys, he runs from the cops, and he sells drugs, all while trying to provide for his baby momma and 2-year-old son. At first, it’s business as usual for Curt.
#Snow on tha bluff baby mama really die crack#
Because the footage is so raw, they say, the Atlanta police sought it as evidence in some criminal investigations. From the start of Snow on tha Bluff, which runs without any introductory credits, this jolt of a film drops into a you-are-there crime scene: Three college students one. SNOW ON THA BLUFF is the story of, Atlanta robbery boy and crack dealer, Curtis Snow who steals a camera from some college kids in a dope deal and begins documenting his life. The makers of “Snow on tha Bluff” flip that reasoning. Often makers of feature films using a documentary’s tools - hand-held cameras, jumpy cuts, ambient lighting, fragmented narrative - say they do so to approximate reality. No one seems to have a steady job, and there’s no shaking the sense of wasted souls in a forsaken sector of society. This riveting account of thug life - the unglamorous, impoverished variety - is punctuated by constant profanity and undecipherable slang, occasional violence, steady drinking and weed or crack smoking. “They say drugs kill you,” he says to the camera, before disagreeing: “They help you out.
We also learn about Snow’s business: selling drugs that are largely supplied, it seems, by ripping off other dealers at gunpoint during late-night raids. Top Stories Curtis Snow: When J Cole Used Snow In Tha Bluff I Felt Like He Was Playing With My Family Name. So we tour the Bluff while he introduces his crew, his baby mama and two toddlers, his grandmother, the street corner where his brother was fatally shot.
The dealer, Curtis Snow, steals one other thing too: the idea of filming everything he does. A dealer approaches the car, smoothly talks his way in, directs them to a secluded street, then, pulling out a handgun, robs them of their money and - why not? - the camera. From the start of “Snow on tha Bluff,” which runs without any introductory credits, this jolt of a film drops into a you-are-there crime scene: Three college students - one manning a video camera - drive into the Bluff, a run-down neighborhood in West Atlanta (actually, run-down is being kind), looking to buy drugs.
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